As everybody says, that is one of these tough listing to put together. Each time you add one movie to the list, you watched of all of the different movies that have to've made it. Here are my top ten, at the least in the meanwhile.

1- The Lives of Others (German: Das Leben der Anderen, 2006, d. Florian Henckel von Donnersmarck, starring Ulrich Mühe, Martina Gedeck, and Sebastian Koch). I can't promote this German film enough (and feature finished so in my answers to other questions). In the eighties, a Stasi officer in East Berlin decides that he wants to take down a playwright supposedly loyal to the Communist Party. What ensues is an emotionally gripping and pleasing tale that also serves as a captivating portrait of existence at the back of the Iron Curtain. This film received the 2006 Academy Award for Best Foreign Language Film, and in my view became as top (if now not some distance higher) than the 2006 winner for Best Picture (The Departed, additionally a first-rate movie).

2- The Third Man (1949, d. Carol Reed, starring Orson Welles, Joseph Cotton, and Alida Valli). It's were given the quality movie noir has to provide: darkish, shadowy visuals within the crumbling mess of Vienna, what become formerly (and would be once more) one of the most stunning towns inside the international. The famous cuckoo clock speech, an idiotic protagonist, a beautiful woman, and an side-of-your-seat chase thru the Viennese sewers. The script was with the aid of Graham Greene -- nothing to shake a stick at.

3- Lawrence of Arabia (1962, d. David Lean, cinematography by Freddie Young, starring Peter O'Toole, Alec Guiness, and Omar Sharif). In the dictionary below the word "epic," it says "See Lawrence of Arabia." I were lucky sufficient to peer this two times on the big display. Peter O'Toole does an astounding job because the identify real-lifestyles British army guy, T.E. Lawrence, who led armies in opposition to the Turks within the early a part of remaining century. The cinematography is glorious.

4- Wild Strawberries (Swedish: Smultronstället, 1957, d. Ingmar Bergman, starring Victor Sjöström, Bibi Andersson). Bergman's masterpiece is probably one of the first road films. The plot is simple: an aged misanthrope receives an invite to publicly obtain a life-time achievement honor at a college hundreds of miles away. His daughter-in-law -- who reminds him of a lost love from long in the past -- accompanies him on the trip, that is fraught with lengthy flashback scenes of lengthy-missed formative years and teenage years. The film has a number of the pleasant dream sequences ever filmed: there is an absurd logic to them that puts maximum other cinematic attempts at dream sequences to shame. The movie is also in the long run one of the greater positive ones via Bergman.

5- Die Hard (1998., d. John McTiernan, starring Bruce Willis, Alan Rickman, Bonnie Bedelia) I started writing this list after handiest one or two people had answered this query, and thought that this preference would stick out like a sore thumb. Looking at extra recent answers, but, I am gravely mistaken. Die Hard is not any Fellini movie (and in reality I unluckily did not encompass any Fellini film in this list), however it is a remarkable example of how filmmakers who're creating something that very without difficulty were the next trashy action flick upward push to the occasion and create something with compelling villains (who can forget about Hans Gruber?), a spectacularly hobbled protagonist combating in opposition to all odds (yes, John McClane is a cop, but he is a barefoot cop), and a backdrop with actual character (hey, Nakatomi Plaza).

6- Blow-Up (1966, d. Michelangelo Antonioni, starring David Hemmings, Vanessa Redgrave, Sarah Miles). In the the hole moments, revelers dressed somewhat like mimes ride around in a jalopy too small to suit all of them, cheering and gesticulating wildly. The vehicle pulls to a halt and dumps the revelers, who clear out into the crowds of a busy avenue and playfully have interaction with the an awful lot extra critical passerby looking to go approximately their day. Eventually they arrive at the scene of a flophouse, out of which files a steady move of bleary-eyed older guys. One of them is a much more youthful man with piercing eyes, who includes a digicam. The revelers arrive and begin their playful activity with the denizens of the flophouse. The younger guy gets into an open-top Rolls-Royce and drives away… to his photographer's studio. And so it begins. The film may be very a lot about seeing. The plot worries Thomas, the conceited fashion photographer, who can also or won't have by accident photographed a homicide at the same time as taking pictures at a nearby park. Antonioni tells a exquisite story here in lengthy stretches of no dialogue or very thin communicate… you find yourself looking all of the time. It is tough to shy away.

7- Rear Window (1954, d. Alfred Hitchcock, starring James Stewart, Grace Kelly, Thelma Ritter, Raymond Burr). One of Hitchcock's maximum well-known films, and I find to at the moment it does not disappoint. The movie is a veritable textbook approximately filmmaking: L.B. Jeffries (Stewart) sits bored in his condo along with his broken leg; to kill time, he's resorted to looking at his pals' lives within the windows round him (equal to subplots). There's a romance among him and a beautiful young socialite, charmingly portrayed through Kelly. As Jeffries begins to suspect some thing is amiss with his neighbor's wife throughout the manner, the sub-plots broaden as nicely. Add to this remarkable performances by using Stewart, Kelly, and Ritter as Jeffries's wise-cracking nurse. I saw this movie at the big screen once inside the Brattle Theatre in Harvard Square, and there may be a second that made the entire audience ripple with an audible gasp. Great stuff.

8- Casablanca (1942, d. Michael Curtiz, starring Humphrey Bogart, Ingrid Bergman, Claude Rains). There are such a lot of matters approximately Casablanca that make it one of the nice films of all time. Enough has been written about it, so I might not pass there. Ultimately, though, I discover it is one of the most pleasing cinematic studies. You will be amazed at how correct even present day technology of humans think it is.

9 - The Godfather (1972, d. Francis Coppola, starring Al Pacino, Marlon Brando, John Cazale). Other Quota solutions call this film, and nonetheless others call the sequel. Whichever you decide on, I think both are worthy. The achievements of both films are just so great -- compelling tale, fascinating characters, excessive realism, outstanding performing, and beautifully written scripts. I even have a difficult time determining among the two, relying on which aspect of the bed I rise up on. But my submission is for the primary one.

10 - The French Connection (1971, d. William Friedkin, starring Roy Scheider, Gene Hackman, Fernando Rey). Scheider and Hackman as seventies-generation New York City detectives seeking to bust a French heroin lord. Friedkin's path, Owen Roizman's cinematography, and the performances with the aid of all of the actors integrate to supply an experience this is extra akin to watching a documentary than a story film. It additionally has perhaps the high-quality vehicle chase inside the records of cinema (trace: it includes a subway educate as well as a vehicle). 
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